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Press Release
Zheng Music - Emotions Recollected in Tranquility
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A concert series featuring poetry, painting and literature as themes
Free Hong Kong Zheng Festival Bookmarks# |
Zheng Music ?poetry expressed in a melodious form Zhou Yanjia and Yang Xiuming, two zheng virtuosi representing the northern school and the southern school, will be giving a concert that would bring the audience back to the ancient days of China, when zheng players not only played the music on the instrument, but also accompanied themselves with tuneful humming and singing. The human voice and the instrument are one. Backed by the HKCO, the two virtuosi will be playing Song of the Mulberry Fields and The Little Red Peach. For solo performance, Zhou will be playing A Desolate Song and The Tears of Meng Jiang Nu, while Yang will be playing Lament of Lady Zhaojun and The Pink Lotus.
The concert will open with the grand and magnificent sounds of Song of the General, arranged and conducted by Gu Guanren. To mark the opening of the Hong Kong Zheng Festival, Gu will be presenting his latest composition, an epic piece based on the famous Kunju Opera, The Peony Pavilion. Commissioned by the HKCO and performed by Luo Jing on the zheng and Sun Yongzhi on the dizi, the music will tell the story of love that bridges the dead-and-living divide, in the high lyricism often associated with these two Chinese instruments.
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Know your Chinese
music
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The Peony Pavilion, a double concerto for qudi, zheng and Chinese orchestra, is not only the most important work since the dawn of the new millennium for the composer, Gu Guanren, but also the realization of a dream that he has cherished for more than twenty years. According to Gu, he was writing music for the Kunqu opera, The Peony Pavilion, starring Hua Wenyi, a legendary name in Chinese opera, back in the early 1980's. He was so fascinated with the beauty of Kunqu and the performance of Hua that he has been searching for a way to translate that aesthetic experience into music ever since.
The dream that has been haunting him for more than twenty years began to take shape in reality when he was commissioned by the Hong Kong Chinese Orchestra in 2003. From the germination of an idea to ruminating and finally putting pen to paper, it took him a year to compose the double concerto for qudi and zheng. The Peony was completed in May, 2004. This full-length work, which has a duration of twenty-five minutes, is in four movements, each with its own caption and follows the storyline of the original Kunqu opera of the same name. They are:
| First Movement: | | Appearing in the Dream - An amorous dream amidst the glory of the flowers |
| Second Movement: | | The Sudden Awakening - How transient dreams are as the heart pines and yearns! |
| Third Movement: | | Searching for the Dream - To trace the lost dream and to die for love |
| Fourth Movement: | | A Dream Comes True - Revived by love and the happy ending |
In his work, Gu has used the 'dream' motif to give coherence to the storyline. Except for the first movement, where the incidents take place in a dream, the other three movements describe how dreams and reality interact to give a dreamlike experience. It allows the composer to apply the modern twelve-note technique to bring out the aesthetics in Chinese traditional music. The nebulous states of dream and reality, the dramatic scenes and moods in the music highlight the unique qualities of the qudi and the zheng as Chinese instruments on the one hand, and allow the full-scale orchestra to display its capabilities and persuasive powers.
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Open Rehearsal & Music Appreciation
31.3.2006 (Fri) 8:00pm
4.4.2006 (Tue) 2:30pm
HKCO Rehearsal Hall
Fee : $25*
* Free for FoHKCO, Students of HKCO and "Zheng Music - Emotions Recollected in Tranquility" concert ticket holder. Please reserve your seat by calling 3185 1670. Limited seats, first-come-first-served.
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Poetry, Painting and Zheng Music
In this concert, against the ethereal sounds of the zheng played by Xu Lingzi, renowned masters in Chinese calligraphy and paintings of Hong Kong will give an on-site demonstration.
4.4.2006 (Tue) 7:30pm
HKCO Rehearsal Hall
Fee : $150*
Zheng : Xu Lingzi
* Free for "Zheng Music ?Emotions Recollected in Tranquility" concert ticket holders, please reserve your seat by calling 3185 1670. Limited seats, first-come-first-served.
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Tickets are available now at all URBTIX outlets.
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# With a ticket of each of the concerts, "Zheng Virtuosi in Concert" and "Zheng Music ?Emotions Recollected in Tranquility", patrons are entitled to get a set of Hong Kong Zheng Festival bookmarks with five designs) at the concert reception or office (7/F., Sheung Wah Municipal Services Building, 345 Queen's Road Central, Hong Kong ) of HKCO from 24 March to 31 May 2006. Enquiries: 3185 1600
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| Programme (Different programme on each night) |
Song of the General Ancient Melody Arr. by Gu Guanren
Zheng Solo
A Desolate Song (7. 4 only) haanxi Zheng Music Arr. by Zhou Yanjia
The Tears of Meng Jiang Nu also known as The Tune of the Great Wall (8. 4 only) hannxi Zheng Music Arr. by Zhou Yanjia
Zheng and Bowed-strings Ensemble
Song of the Mulberry Fields Zhou Yanjia Arr. by Yan Huichang
Zheng: Zhou Yanjia
Chaozhou Zheng Solo
The Little Red Peach Ancient Melody of Han Tune
Lament of Lady Zhao Zhaojun (7. 4 only)
The Legacy of Tang and Song Dynasties Chaozhou Xian-de Music
The Pink Lotus (8. 4 only)
The Legacy of Tang and Song Dynasties Chaozhou Xian-shi Music
Chaozhou Zheng: Yang Xiuming
Zheng Concerto Story of Lau Lan-che He Zhanhao
Zheng: Luo Jing
Zheng and Qudi Double Concerto The Peony Pavilion (Commissioned by the HKCO / World Premiere) Gu Guanren
Zheng: Luo Jing Qudi: Sun Yongzhi
Hong Kong Chinese Orchestra reserves the right to change programme and artistes.
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| Date:
7-8.4.2006
Time: 8:00 pm |
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Venue:
Hong Kong Cultural Centre Concert Hall |
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7-8.4.2006
$200, 180, 130, 100
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Gu Guanren
Conductor |
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Gu Guanren is a composer who has made remarkable achievements in the realm of Chinese instrumental music. He was at different times of his career Head of the Artistic Consultative Committee, Concertmaster and Artistic Director of the Shanghai National Music Orchestra. He is a National Class One Composer, Vice President of the China Nationalities Orchestra Society and a director of the Chinese Musicians' Association.
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Gu's compositions are rich in ethnic colours but without losing its modern touch. In recent years, Gu has played an active role in conducting Chinese orchestras. He has given successful concerts with Taipei Municipal Chinese Classical Orchestra, Hong Kong Chinese Orchestra, Macao Chinese Orchestra and Taiwan National Chinese Orchestra. The Shanghai National Music Orchestra, under his baton, has performed on many major occasions with resounding success.
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Zhou Yanjia
Zheng |
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Zhou Yanjia is a famous teacher, recitalist and revivalist of the zheng. He was presented with a Lifelong Achievement Award by the China Nationalities Orchestra Society for his contribution to zheng music. For many decades, he has been propounding the need to revive the Shaanxi school of zheng music in its place of origin, to uphold the Shaanxi zheng tradition and to rejuvenate its stylistic school.
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His composition, Song of the Mulberry Fields in Shaanxi , won a 'Shancheng Cup' Class One Award for Originality, presented by CCTV in 1989. Other compositions include Tears of Meng Jiang Nu, A Desolate Song, Song of a Hundred Flowers and The Gold Embroidered Plaque. He is currently a member of the Chinese Musicians' Association, Honorary Director of the China Nationalities Orchestra Society, Vice President of the Zheng Professional Committee, Chief Editor of Qinzheng, professor at the Xian Conservatory of Music and former Head of the Department of Folk Music.
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Yang Xiuming
Chaozhou Zheng |
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Yang Xiuming is a famous Chaozhou zheng recitalist, and has taught at the China Conservatory for two tenures. Many of his students have made remarkable achievements in the field.
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Apart from music, Yang is also a fine painter. His endowments and dedicated artistic pursuit have enabled him to merge the two art forms and re-express them through his own interpretations. His knowledge of Chinese chan (or zen) studies also gives his music a new aesthetics that is above the mundane, helping the listener to arrive at transcendental states of tranquility, enlightenment and wisdom. His recording releases include two solo albums in CD format, both on Buddhist themes.
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Luo Jing
Zheng |
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Luo Jing started to play zheng at ten. She entered the Department of Folk Music of the Conservatory proper in 1992, graduating with distinction in 1995, one year ahead of the full term. She joined the Shanghai National Music Orchestra in the same year as zheng soloist. She has been a member of the Hong Kong Chinese Orchestra since 2002. In 2003, she started teaching in the Music Department of The Chinese University of Hong Kong.
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Trained by virtuosi throughout her studies. By incorporating the different styles of the traditional zheng schools, Luo is able to come into her own - a tranquil, relaxed and refreshing artistic style.
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Sun Yongzhi
Qudi |
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Currently the Section Leader (Wind) cum Dizi Principal of the Hong Kong Chinese Orchestra, and also an instructor at The Hong Kong Academy for Performing Arts, guest instructor and supervisor of postgraduate students studying for a Master's degree at the Xi'an Conservatory of Music. Sun Yongzhi graduated from the Xi'an Conservatory of Music in 1982 with distinction. He was a protege of dizi maestro Zhao Songting.
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Sun is also an active performer on the stage. He has recorded for many films and television and cut cassette tape recordings and CDs. He published a number of articles, including The Northern and Southern Styles of the Dizi, On the Intonation of the Dizi and graded teaching materials for dizi examinations (Vol.1-8).
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