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Press Release
Butterfly Lovers in a Spring Dream.
STORIES ABOUT HK:
Whenever I check in
my cello at the airport, I always encounter interesting stories. My last time in
HK, while I was checking in my cello, the first thing the airline check-in
person asks me was "Oh, is that a guitar?" Then I had to explain what a cello
was, so that I can actually check-in and not miss the flight!
WORKING WITH HKCO:
This
will be a very interesting performance, because it will be a very unusal
experience for me, as a Western instrument soloist, to perform with a Chinese
instrument orchestra. I also look forward to collaborating with Mr. Bright Sheng,
premiering his cello concerto 'Spring Dream' in Hong Kong. Working with Bright
Sheng will be very interesting because when you work with the composer, there is
no doubt about what is meant in the music then. It is like being able to work
personally with any great composer from the past. Imagine, learning the Dvorak
Concerto from Dvorak himself...what a thrill!
Trey Lee
Ensemble Chance Encounter Ng Tai-kong
Gaohu Concerto Butterfly Lovers He Zhanhao & Chen Gang Arr. by He Zhanhao
Gaohu: Hsin Hsiao-ling
Ensemble Jasmine Liu Wenjin
Cello Concerto Spring Dreams Bright Sheng
Cello: Trey Lee |  |
| Date:
7-8.1.2005
Time:
8:00 pm |
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Venue:
Hong Kong Cultural Centre Concert Hall |
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$180, 150,
120, 90 |
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Bright Sheng
Conductor |
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The MacArthur Fellow
Composer/conductor Bright Sheng was born in Shanghai, and moved to New
York in l982. He is currently the Leonard Bernstein Distinguished
University Professor at University of Michigan.
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His music ranges from
dramatic to lyrical and is strongly influenced by the folk and classical
music tradition from Asia. Recently he has been studying and researching
the music phenomenon of the Silk Road culture. And he also serves as the
Artistic Advisor of Yo-Yo Ma’s Silk Road Project Inc.
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Sheng has collaborated with
distinguished musicians. His music has been widely performed in the United
States, Europe and in Asia. As a conductor and pianist, he has performed
with many famous symphonies, and has appeared at Carnegie Hall, Lincoln
Center and Kennedy Center.
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Trey was the first Chinese to win 1st prize at
the prestigious 2004 International Antonio Janigro Cello Competition in
Croatia in February 2004. He is currently Solo Cellist with the Netherlands
Philharmonic Orchestra.
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Since winning major prizes at New York’s
Naumburg International Cello Competition, Helsinki’s International Paulo
Cello Competition, and the Geneva International Music Competition, Trey has
been performing extensively at countless major venues and festivals. He was
also one of eight artists presented in the Outstanding Young Chinese
Musicians documentary series produced by Radio Television Hong Kong (RTHK).
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Considered by the media as “a thinker of
classical music,” Trey represents a new generation of artists who symbolize
sensitivity, sophistication and intelligence in the practice of their art.
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Hsin
Hsiao-ling
Gaohu |
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Currently the Gaohu Principal of the Hong Kong Chinese Orchestra, a visiting
lecturer of the music Department of the Chinese University of Hong Kong, and
the awardee of Ten Outstanding Young Persons 2004 (Hong Kong). Hsin began
learning the erhu from her father at the age of six. At the age of 13, she
received the Hong Kong Arts Festival Award. Once she graduated with
distinction in 1988, she became a musician of the Hong Kong Chinese
Orchestra by taking the examination for selection. In 1989, she received a
scholarship from the Sir Edward Youde Memorial Fund and went to the Central
Conservatory of Music in Beijing for her further study, leaving with a
bachelor’s degree with top honours.
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Her solo album God of Wind was released under EMI label in 2004 and was
praised as the best Hi-Fi album by Audiophile. In 2003, she has founded the
Professional Education of Chinese Music Centre to promote Chinese music and
education of the genre for young generation.
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“Her gaohu sounds so rich, her musical touch so demonstrative of a veteran,
that it is beyond doubt that she is definitely a cut above the rest.” Hong
Kong Economic Journal
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