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.Press
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Majestic Drums IV – 2004 Hong Kong Drum Festival
Madam Su-Ro for Korean Drums and
Orchestra
This is a drum concerto for the unique combination of Korean traditional drum
ensemble and Chinese orchestra, and is commissioned by the Hong Kong Chinese
Orchestra. Madam Su-Ro is a character in Korean folk songs. She was kidnapped by
the sea-dragon, and her husband gathered the people together and asked them to
beat the rocks on the shore in order save his wife. The concerto is a symphonic
poem which describes the scene of the folk tale. The rhythmic material is
basically borrowed from the rhythms of the poem.
* Super Janggu
Super Janggu is a modified instrument created jointly by wHOOL and Prof.
Donoung Yi, Director of Hanyang Electronic Studio. It is designed to embody both
tradition and modernity through the application of high technology to the
traditional janggu, which is one of the four instruments used in the
famous Samulnori ensemble. It is a two-sided drum played with left and
right plectrums called gunggul-chae and chae. In contrast to the
original janggu, the super janggu reacts to the performer’s action
through the sensor system, and as the sound is programmed for real-time
processing, it transforms into the signals that in turn become a variety of
sounds and effects. It can produce the effect of one hundred drums being played
all together with the use of actually only three.
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My choice |
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The fever of excitement over drumming brought about by the Hong Kong Drum
Festival 2003 helped the Hong Kong people to rally round after the SARS attack.
It also demonstrated the richness and variety of Chinese music. I am happy
to hear that the HKCO will hold another Drum Festival this year, and do look
forward to the concert held on November 19 and 20, Majestic Drums IV,
when drums from India and Korea will be sharing the stage with the HKCO in a
concert that promises to be a wonderful sound tapestry of international colours.
Prof. Chang
Hsin-kang, President of City University of Hong Kong
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Safety Godown Group presents
The 2nd Hong Kong Synergy 24 Drum Competition
(Details)
The First Round:
16 or 17 October 2004
Chater Garden
The Final Round:
19 or 20 November 2004
Sha Tin Town Hall Concert Hall
Demonstration Tour
23.7.2004 1:30pm
Lu Plaza
25.7.2004/ 15.8.2004 2:30pm
Ma On Shan Plaza
8.8.2004/ 5.9.2004 2:30pm
Shatin City One Plaza
1.8.2004/ 12.9.2004 2:30pm
The Metropolis Mall
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Talk
Date :17.11.2004 (Wed)
Venue:Teaching Room 27, 2nd Fl., Hong Kong Academy for Performing Arts
SESSION I: 4:00 ~ 5: 00 PM
'Developing Electronic Instrument of Traditional Korean Drums:
Technological Aspect'
by Pro. Donoung Lee and Pro. Cecilia Kim
SESSION II: 5:00 ~ 6:00 PM
'Role of Art in Our Time: Unreal Reality and Arts'
by Pro. Cecilia Kim
Quota:25
Fee: Free Admission
Reservations: 3185 1600
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The Final Round of the 2nd
Hong Kong Synergy 24 Drum Competition
Junior Section and Intermediate Section
Senior Section and Open Section
Super Jang-go *Ko-e-cussion
0411
wHOOL
Super Jang-gu : wHOOL
Percussion Ensemble
The Golden Pheasant Flying out of the Mountain
Folk Gong and Drum Arr. by Tian
Longxin
Head Talk
Mark Ford
Touch Wood
Four Gig Heads
Performed by Four Gig Heads
Indian Drums and Orchestra
Jatinder Singh Bedi’s China Dream - A Dialogue between the Indian Drums and a
Chinese Orchestra
Phoon Yew-tien
Indian Drum:Jatinder
Singh Bedi
Jang-gu,
Super Jang-go
and Orchestra Madam Su-Ro (Commissioned by HKCO/ World Premiere)
Cecilia Heejeong Kim
Performed by wHOOL
The Hong Kong Synergy 24 Drum
Competition: Announcement of Results and Presentation of Awards
Percussion and Orchestra Let the
Thunder of Drums Roll III – Long Gu Ju (The Roar of the Dragon)
(Arrangement commissioned by HKCO/ Premiere) Arr. by Chan Ming-chi based on
his own composition
*Ko-e-cussion
stands for ‘Korean Electronic Percussion’.
Supports
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| Date:
Time:
7:30 pm | |
Venue:
Sha Tin Town Hall Concert Hall |
$200,
180, 130, 100
* The best seats for the audiophiles (limited seat)
$300
As recommended by Aik Yew-goh, studio recording expert and Leo Fung,
‘Prince of Hi-Fi’
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Yan
Huichang
Conductor |
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National Class One Conductor.
As a conductor who has worked with all professional Chinese orchestras in
Beijing, Shanghai, Taiwan, Singapore and Hong Kong, Yan has won the acclaim of
the music circles in China and abroad for his artistic and conducting talents.
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Under his baton, and in collaboration with the famous composer Zhao Jiping,
the Symphony Orchestra section of the China National Symphony Orchestra made
the soundtrack recordings for such award-winning films as Raise the Red
Lantern, Ballad of the Yellow River, and Five Girls and a Rope.
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Yan was awarded the “Cultural
Medallion (Music)” by the National Arts Council of Singapore in September
2001. His achievements were simultaneously documented in The Famous Figures of
the Contemporary Arts Circles in China. In 2000, he was a member of the Hong
Kong Council for Academic Accreditation, and an Examiner and Arts Advisor of
the Hong Kong Arts Development Council for Grants. Since 2004, he has been a
Visiting Professor in many music conservatories. Yan was awarded a Bronze
Bauhinia Star (BBS) by the Chief Executive of HKSAR in 2004 in recognition of
his remarkable achievements in Chinese music as well as his efforts in
promoting Chinese music.
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Jatinder Singh Bedi
Interview |
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Jatinder Singh Bedi hails from
a family of musicians. Born the youngest son of the late Gandharwa Award
Winner Raagi Amrik Singh Bedi of Gwalior Gharana, he was initiated into Tabla
training at the tender age of four by his father. In later years, he had the
rare opportunity to study under the guidance of many traditional Indian Music
maestros. He also acquired his paper qualifications from the Central Sangeet
School of Delhi which is affiliated to the Sangeet Samiti of Allahabad.
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In India, Jatinder has been a
regular artist with the All India Doordarshin Radio and Television. To date,
he has performed in Singapore, Malaysia, Thailand, Australia, Hong Kong,
Sweden, Denmark, India and the USA, in arts festivals and international music
festivals at international venues.

wHOOL (Korean Drum Group)
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Formerly called “Gung Gung”,
recognized as a representative and the most active performing group in Korea,
it has been invited to appear in many prestigious festivals, such as the
Korea-Japan Intercultural Festival and Jeonju Sori Festival. It has also
participated in film productions, and has been working as the music-directing
group for various dance-theatre performances and stage productions.
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The leader of wHOOL is Yun Sang
Choi, an emerging Korean composer. Other member of the group, Jun Il Choi, is
a well-known Korean-Japanese percussion player, and Jonghun Jo, also a member
of the group, was named “Important Intangible Cultural Properties No.21” by
the Korean government.
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Four Gig Heads
Percussion
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The Four Gig Heads is formed by
four local percussionists – Ah Tung、Ho Yi-on、Angus Fu and Luk Kin-bun, with
the aim of promoting percussion music of both east and west genres. The
members also compose and arrange percussion music themselves to expand new
dimensions for music as well as create a unique music culture for Hong Kong.
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The group has a versatile
repertoire. It ranges from gong and drum music in Chinese Peking Opera to the
gong and drum music of the eastern part of Zhejiang, American Country Music,
gamelan music of Bali, and the daliuzi of the Tujia ethnic minority group in
the western part of Hunan.
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