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Rich Notes from Silk Strings and Burnished Wood - A Showcase of Improved Musical Instruments in China, Japan, Taiwan and Hong Kong

Traditional Chinese musical instruments upgraded
and improved

In the music world, all musical instruments are being constantly redesigned and upgraded to suit the changing needs. It is the same the world all over. With broader ranges, new sounds and new functions, the instruments can become the propelling force for music to develop. Traditional Chinese instruments have also undergone this process to become what they are today - a life force for Chinese music.

In the last Orchestral Season (2002-2003), a seminar conducted as part of the ancillary activities of the Golden Chinese Classics of the Century threw light on the many outstanding results of improvements made to traditional instruments in many parts of the world. The HKCO therefore has specially invited Gong Lin and Aiichi Oki of the Japan Chinese Orchestra and

Chen Yi-qian, Principal of the Liuqin Chamber Orchestra of Taiwan to join Yuen Shi-chun and Guo Yazhi of the HKCO in a concert series that features compositions written specifically for the various improved instruments, in a bid to find out the latest developments in Chinese music.

#    The two concerts feature different programmes in order to encompass the range of improved instruments.  Your opinions are welcome after the concert to help us continue to improve.
 

Programme Highlights:

Look out for the improved instruments: the xiaoruan and ruanxian (which has won awards for HKCO’s Yuen Shi-chun),  the free reed suona by Guo Yazhi, also from the HKCO, the resonated gehu by Yang Yusen of Shanghai, and the erhu with sliding bridge by Gao Yang of Beijing.  Listen to how the sounds differ from the traditional versions.  Be open to embrace sounds that would touch you at the heart’s core, yet be ready to use your head and give critique so that we can continue to improve. 

Programme

25-26.6.2004Fri, Sat

Ensemble  Drums in Celebration of a Bumper Harvest  Peng Xiuwen & Cai Huichuan

Tang - Runaxian and Orchestra  Confucius' Years  Zhang Shiye Instrument improved and made by Yuen Shi-chun Performed by Yuen Shi-chun

 Tang-style Xiaoruan and Orchestra The Courtyard After the Rain  Su Wenqing & Zheng Chuiping Instrument improved and made by Yuen Shi-chun Performed by Chen Yi-qian

Plucked-strings Ensemble  Elegy  Zhao Jiping  Arr. by Yan Huichang

The 5th Movement  Earth  from 5 Elements for Plucked-string Instruments
    (Performed on the Tang-style xiaoruan, zhongruan and daruan reconstructed by Yuen Shi-chun)

The Night in a Deserted Town 
Arr. by Gong Lin

Concerto for Cello and Orchestra  Road  3rd Movement  Kuan Nai-chung
Improvements by Yang Yusen
Conducted by Gong Lin
Performed by Aiichi Oki New model of erhu: Model BDQ-1/2, with sliding bridge, adjustable snakeskin mount and locking device for the strings

Huqin Medley: In Celebration of
Brightness, The Great Wall (4), In the Deep of the Night and The Butterfly Lovers and pop music 
Performed by Gao Yang

Free reed Suona  The Young Cowherd 
Folk music

Habenera from  Carmen

Suona Concerto  China Capriccio 
Wong On-lun
Designed and Made by Guo Yazhi
Performed by Guo Yazhi

 Tutti  Rhapsody for Wind and Strings 
Toyama Yuzo  Arr by Wang Yanqiao

 

Date: 25-26.6.04
Time: 8:00 pm
Venue:
Kwai Tsing Theatre Auditorium
$120,$90
 
Yan Huichang
Conductor/Host
  • Yan Huichang was conferred the title of National Class One Conductor at the First Professional Appraisal of China in 1987. He was appointed Music Director of the Hong Kong Chinese Orchestra in June 1997 and was re-titled Artistic Director and Principal Conductor in October 2003. as a conductor, he has worked with all professional Chinese orchestras in Beijing, Shanghai, Taiwan, Singapore and Hong Kong. In collaboration with renowned directors Zhang Yimou, Teng Wenji, the famous composer Zhao Jiping and the Symphony Orchestra section of the Central Philharmonic Orchestra of China, Yan had made soundtrack recordings for such award winning films as Raise the Red Lantern, Ballad of Yellow River, and Five Girls and a Rope.

  • Yan is actively engaged in composition. His representative works include the symphonic poem The Sound of Water which won a Class One Prize in the Composition Contest of the Shanghai Conservatory of Music and Class Two Prize in the Third National Music Composition Competition; and the pipa solo work Nostalgia which won a Class One Award at the First National Pipa Contest of Contributing Works. Yan was awarded the "Cultural Medallion (Music)" by the National Arts Council of Singapore in September 2001.
     

Gong Lin
Conductor
  • Gong Lin received his Master's degree from the Shanghai Conservatory of Music in 1989. He went to Japan to further his studies in 1992, and was awarded a doctoral degree in 1997. He formed the Japan Chinese Orchestra in the same year, with himself serving as Artistic Director and Conductor.

  • In 1999, he founded the Huaxia Conservatory of Music in Japan, with himself as President. In 2001 he formed the Orient Philharmonic Orchestra, with himself as Artistic Director and Conductor. Gong has been a contributing force to eastern music, particularly in popularizing Chinese music on the international scene.
     

Chen Yiqian
Xiaoruan

Guo Yazhi / Suona

  • Chen Yiqian is currently a full-time lecturer in the Chinese Music Department of the Tainan National College of the Arts, a part-time lecturer in the Chinese Music Department of the Chinese Culture University and a principal of the Taipei Liuqin Chamber Orchestra.

  • Chen recorded The Courtyard After the Rain in 2001 with the Central Folk Orchestra of Beijing, under the baton of Mr Su Wenqing. It was included in the album, The Swallow, released under the Shangyang label. In March 2003, she gave a solo recital on the liuqin at the National Concert Hall of Taipei in 2003.
     

Yuen Shi-chun
Runaxian
  • Currently the Research Development Officer (Musical Instrument). Yuen joined the Hong Kong Chinese Orchestra in 1974.

  • For the past three decades, Yuen has consistently worked on the improvement and design of plucked instruments. In 1992 and 1996 Yuen won the "Technology Advancement Award" from the Chinese Ministry of Culture for his liuqin and ruanxian respectively. In 1998, he was given the same award for the consort of ruanxian he made. In 1993, Yuen was appointed a member of the "Experts of Chinese Musical Instrument Improvement". In 2003, he received the Award for Arts Achievement by the Hong Kong Arts Development.

Aiichi Oki
Gehu
  • Aiichi Oki is a soloist with the Japan Chinese Orchestra.  Currently a professor at the Osaka Kyoiku University, he is an active performer and educationist on the Japanese music scene today.

  • Oki graduated from the Tokyo National University of Fine Arts and Music with outstanding results in 1980, where he was trained by Ken Abo, Shuya Matsushita and Yasushi Horie.  Between 1988 and 1989, in the capacity of an overseas researcher under the Ministry of Education of Japan, he furthered his studies in Hungary on a Hungarian Government Grant.

Gao Yang
Erhu
  • Gao Yang is a member of the Chinese Musicians’ Association, Executive Director of the Erhu Society of China, Executive Director and Deputy Secretary General of the Huqin Society of China, a solo performer and Artistic Director of the Folk Orchestra of the Cultural Troupe of the All China Federation of Unions, Visiting Professor at the People’s University of China, and a part-time lecturer at Beihang University.

  • Years of dedicated research and exploration into erhu performing techniques have given Gao a personal style that is a fine blend of the traditional and the contemporary that highlights the aesthetic beauty of the music while maintaining a purity in tone colour and elegance in taste.
     

Guo Yazhi
Suona
  • Formerly on the teaching staff of the Central Conservatory of Music in China, Guo is currently the Suona Principal of the HKCO.

  • He stuns the music world with his performance of the modernistic suona concerto, played on the improvised removable reed suona.  He participated in the International Pro Musicis Competition held in New York in 1998, and won the only Grand Prize in the Finals. In the same year, he was selected by the Ministry of Culture of China as one of the most outstanding musicians in China.