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Bowed-string
Instruments
Plucked-string
Instruments
Wind
Instruments
Percussion
Instruments
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| Liuqin
The shape of the liuqin looks like a "liu (willow) leaf", hence
its name. It is also commonly called "tu pipa" and "jingang
tui" and is a popular instrument in Shandong, Anhui and Jiangsu.
The liuqin is the principal accompanying instrument for the Liuqin Opera
common in southern Shandong and northern Jiangsu, the Sizhou Opera of
Anhui, and Shaoxing luantan of Zhejiang. Originally the liuqin was an
alto instrument fitted with two strings and seven frets. It was reformed
into a soprano plucked instrument with four strings and twenty-nine frets
in the 1950's as a need of the Chinese ensemble. Its range is as wide
as four octaves, comparable to that of a violin. Its tone quality is solid
in the low register, tender in the middle register and sonorous in the
high register with strong penetrating power. It is a plucked-string instrument
for playing high-pitched melodies, has exuberant expressions and is hailed
as the "gem" of Chinese orchestras. One of the representative
pieces for solo is Spring Comes to River Yi.

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| Pipa
Before the Sui (581-618) and the Tang Dynasties the pipa was a general
term referring to those plucked-string instruments ployed in hand-held
positions with the outward fingering technique called "pi" and
the inward one called "pa". Instruments such as the pipa and
the konghou (lyre) were introduced into China from the western regions.
The ancient model of pipa was equipped with four strings and four ledges.
Nowadays the pipa is equipped with six ledges and twenty-four frets. In
the Tang Dynasty the plucking on pipa was done with wooden plectrum; it
is now with five fingers. The pipa has rich expressiveness and is played
with demanding techniques. Well-known pipa melodies for solo include Moonlight
over Spring River, Spring Snow and Ambush from All Sides.
Other: Nanyin Pipa, Satsuma
Biwa

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| Yangqin
The yangqin is also called "hudie qin (butterfly lute)", "shanmian
qin (fan shaped lute)" and "daqin (dulcimer)". At first
it was found in Persia (now Iran) and Arabia, then made its inroads into
China towards the end of the Ming Dynasty (1368-1644). It became popular
around the Guangdong region at first, and later spread all over China.
In recent centuries it has became an important accompanying instrument
in folk narrative singing and operatic music, particularly in such regional
genres as Cantonese music, Chiuchow (Chaozhou) xianshi, Jiangnan sizhu
and Hakka Han music.
The yangqin is important in instrumental ensembles for its crisp tone
quality, wide tonal range as well as chord, quick arpeggio capability
and timbre. It is therefore popularly used for ensemble music playing
as well as accompanying. The well-known solo pieces are Song of the General
Sichuan version and Yangge of Northeastern China.

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| Zheng
The zheng, a traditional instrument that existed already in the Warring
States Period (403-221 B.C.), was extremely popular in the State of Qin
(around the Shaanxi region). Hence it was also referred to as Qin zheng.
Traditionally, it was used in ensembles and for accompanying folk narrative
singing. The timbre of zheng varies from the pristine and elegant to the
crisp and sprightly according to the different kind of strings (silk or
metal) used. Before the Han (206 BC - AD220) and the Jin (265 - 420) dynasties,
it was fitted with 12 strings. After the Tang (618-907) and Song (960-1279)
dynasties, it evolved into a 13-string version. The recently developed
type is fitted with 21 strings. There is also a 25-string version that
has a mechanism to enable the instrument to re-tune the strings instantly.
The zheng has a unique and rich expressiveness, capable of interpreting
music of various moods, from the classically elegant to flying passions.
It is played with diverse finesse and outstanding character. The well-known
solo pieces are Song of the Homebound Fishermen, In Celebration of a Bumper
Harvest and Battle against Typhoon.

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| Ruan
The ruan, called Qin pipa or yueqin in ancient times, was a kind of pipa
with a long neck. It was modelled upon such instruments as the qin, zheng,
zhu and the konghou. Among the artifacts unearthed in the Six Dynasties
(220-581) Tomb at Xishan Bridge, Nanjing, there was an engraved picture
showing Ruan Xian, a member of the Seven Wise Men of the Bamboo Grove,
playing a musical instrument. It was said that he showed excellent skill
in playing this kind of instrument. Hence it was named after him. Today
it has come to be known as ruan for short. During the Sui and Tang dynasties
(581-907), the ruan was generally used for playing court music and folk
dance music. In ancient times the ruan had 8 frets; nowadays it is equipped
with 4 strings and 24 frets. It is enlarged into small, medium, large
and bass versions called xiaoruan, zhongruan, daruan and diruan. However,
only the zhongruan (medium) and daruan (large) are used in Chinese orchestras.
With its rounded, rich tonal quality, the ruan is an essential alto and
tenor plucked-string instrument for ensemble playing as well as accompanying
instrument for various kind of music. The well-known solo pieces include
In Remembrance of Yunnan and Cherry Blossoms.
Other : Series of Ruanxian

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| Sanxian
The sanxian has a rather long history. It was written in Yang Shen's Sheng'an
waiji of the Ming Dynasty that "the origin of sanxian dated back
to the Yuan Dynasty" (1279-1368). Its origin can be traced to an
ancient instrument of the Qin Dynasty called xiantao.
In early days, the sanxian was mostly used for accompanying narrative
singing, operatic singing and operatic music. As time goes by, it has
become a solo instrument and is widely used in Chinese instrumental ensembles
of various sizes.
The unique tone colour of the sanxian, which is mellow and forceful with
a metallic quality, gives it strong character. It is therefore used to
express tunes with strong ethnic colour and drama. In ensemble playing,
it is often used to enrich the alto and tenor sections or enhance rhythm.
The famous solo pieces include Shi-Ba-Ban and As the Waves Wash the Sand
Major.

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