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. Press
Releases
Rich Notes from Silk Strings and Burnished Wood - A Showcase of Improved
Musical Instruments in China, Japan, Taiwan and Hong Kong
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Traditional Chinese musical instruments upgraded
and improved |
In
the music world, all musical instruments are being constantly redesigned
and upgraded to suit the changing needs. It is the same the world all
over. With broader ranges, new sounds and new functions, the instruments
can become the propelling force for music to develop. Traditional Chinese
instruments have also undergone this process to become what they are today
- a life force for Chinese music.
In
the last Orchestral Season (2002-2003), a seminar conducted as part of the
ancillary activities of the Golden Chinese Classics of the Century threw
light on the many outstanding results of improvements made to traditional
instruments in many parts of the world. The HKCO therefore has specially
invited Gong Lin and Aiichi Oki of the Japan Chinese Orchestra and
Chen
Yi-qian, Principal of the Liuqin Chamber Orchestra of Taiwan to join Yuen
Shi-chun and Guo Yazhi of the HKCO in a concert series that features
compositions written specifically for the various improved instruments, in a
bid to find out the latest developments in Chinese music.
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The two concerts feature different programmes in order to encompass the
range of improved instruments. Your opinions are welcome after the concert
to help us continue to improve.
Look out for the improved instruments: the xiaoruan
and ruanxian (which has won awards for HKCO’s Yuen Shi-chun), the
free reed suona by Guo Yazhi, also from the HKCO, the resonated
gehu by Yang Yusen of Shanghai, and the erhu with sliding bridge
by Gao Yang of Beijing. Listen to how the sounds differ from the
traditional versions. Be open to embrace sounds that would touch you at the
heart’s core, yet be ready to use your head and give critique so that we can
continue to improve.
25-26.6.2004(Fri,
Sat)
Ensemble Drums in Celebration of a Bumper Harvest Peng Xiuwen &
Cai Huichuan
Tang - Runaxian and Orchestra Confucius' Years Zhang Shiye
Instrument improved and made by Yuen Shi-chun
Performed by Yuen Shi-chun
Tang-style Xiaoruan and Orchestra The Courtyard After the Rain
Su Wenqing & Zheng Chuiping Instrument
improved and made by Yuen Shi-chun
Performed by Chen Yi-qian
Plucked-strings Ensemble Elegy Zhao
Jiping Arr. by Yan Huichang
The 5th Movement Earth from 5 Elements for Plucked-string
Instruments
(Performed on the Tang-style xiaoruan, zhongruan and daruan
reconstructed by Yuen Shi-chun)
The Night in a Deserted Town
Arr. by Gong Lin
Concerto for Cello and Orchestra Road 3rd Movement Kuan
Nai-chung
Improvements by Yang Yusen
Conducted by Gong Lin
Performed by Aiichi Oki New model of erhu: Model BDQ-1/2, with sliding
bridge, adjustable snakeskin mount and locking device for the strings
Huqin Medley: In Celebration of
Brightness, The Great
Wall (4), In the Deep of the Night and
The Butterfly Lovers
and pop music
Performed by Gao Yang
Free reed Suona The Young Cowherd
Folk music
Habenera from Carmen
Suona Concerto China Capriccio
Wong On-lun
Designed and Made by Guo Yazhi
Performed by Guo Yazhi
Tutti
Rhapsody for Wind and Strings
Toyama Yuzo Arr by Wang Yanqiao
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| Date:
25-26.6.04
Time: 8:00 pm |
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Venue:
Kwai Tsing Theatre Auditorium |
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$120,$90 |
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Yan Huichang
Conductor/Host |
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Yan Huichang was
conferred the title of National Class One Conductor at the First
Professional Appraisal of China in 1987. He was appointed Music
Director of the Hong Kong Chinese Orchestra in June 1997 and was
re-titled Artistic Director and Principal Conductor in October
2003. as a conductor, he has worked with all professional
Chinese orchestras in Beijing, Shanghai, Taiwan, Singapore and
Hong Kong. In collaboration with renowned directors Zhang Yimou,
Teng Wenji, the famous composer Zhao Jiping and the Symphony
Orchestra section of the Central Philharmonic Orchestra of
China, Yan had made soundtrack recordings for such award winning
films as Raise the Red Lantern, Ballad of Yellow River, and Five
Girls and a Rope.
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Yan is actively
engaged in composition. His representative works include the
symphonic poem The Sound of Water which won a Class One Prize in
the Composition Contest of the Shanghai Conservatory of Music
and Class Two Prize in the Third National Music Composition
Competition; and the pipa solo work Nostalgia which won a Class
One Award at the First National Pipa Contest of Contributing
Works. Yan was awarded the "Cultural Medallion (Music)" by the
National Arts Council of Singapore in September 2001.
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Gong Lin
Conductor |
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Gong Lin received his Master's
degree from the Shanghai Conservatory of Music in 1989. He went
to Japan to further his studies in 1992, and was awarded a
doctoral degree in 1997. He formed the Japan Chinese Orchestra
in the same year, with himself serving as Artistic Director and
Conductor.
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In 1999, he founded the Huaxia
Conservatory of Music in Japan, with himself as President. In
2001 he formed the Orient Philharmonic Orchestra, with himself
as Artistic Director and Conductor. Gong has been a contributing
force to eastern music, particularly in popularizing Chinese
music on the international scene.
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Chen Yiqian
Xiaoruan |
Guo Yazhi /
Suona
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Chen Yiqian is
currently a full-time lecturer in the Chinese Music Department
of the Tainan National College of the Arts, a part-time lecturer
in the Chinese Music Department of the Chinese Culture
University and a principal of the Taipei Liuqin Chamber
Orchestra.
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Chen recorded The
Courtyard After the Rain in 2001 with the Central Folk Orchestra
of Beijing, under the baton of Mr Su Wenqing. It was included in
the album, The Swallow, released under the Shangyang label. In
March 2003, she gave a solo recital on the liuqin at the
National Concert Hall of Taipei in 2003.
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Yuen Shi-chun
Runaxian |
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Currently the Research Development Officer (Musical Instrument).
Yuen joined the Hong Kong Chinese Orchestra in 1974.
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For
the past three decades, Yuen has consistently worked on the
improvement and design of plucked instruments. In 1992 and 1996
Yuen won the "Technology Advancement Award" from the Chinese
Ministry of Culture for his liuqin and ruanxian respectively. In
1998, he was given the same award for the consort of ruanxian he
made. In 1993, Yuen was appointed a member of the "Experts of
Chinese Musical Instrument Improvement". In 2003, he received
the Award for Arts Achievement by the Hong Kong Arts
Development.
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Aiichi Oki
Gehu |
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Aiichi Oki is a
soloist with the Japan Chinese Orchestra. Currently a professor
at the Osaka Kyoiku University, he is an active performer and
educationist on the Japanese music scene today.
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Oki graduated
from the Tokyo National University of Fine Arts and Music with
outstanding results in 1980, where he was trained by Ken Abo,
Shuya Matsushita and Yasushi Horie. Between 1988 and 1989, in
the capacity of an overseas researcher under the Ministry of
Education of Japan, he furthered his studies in Hungary on a
Hungarian Government Grant.
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Gao Yang
Erhu |
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Gao Yang is a
member of the Chinese Musicians’ Association, Executive Director
of the Erhu Society of China, Executive Director and Deputy
Secretary General of the Huqin Society of China, a solo
performer and Artistic Director of the Folk Orchestra of the
Cultural Troupe of the All China Federation of Unions, Visiting
Professor at the People’s University of China, and a part-time
lecturer at Beihang University.
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Years of
dedicated research and exploration into erhu performing
techniques have given Gao a personal style that is a fine blend
of the traditional and the contemporary that highlights the
aesthetic beauty of the music while maintaining a purity in tone
colour and elegance in taste.
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Guo Yazhi
Suona |
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Formerly on the teaching staff of the Central Conservatory of
Music in China, Guo is currently the Suona Principal of the HKCO.
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He
stuns the music world with his performance of the modernistic
suona concerto, played on the improvised removable reed suona.
He participated in the International Pro Musicis Competition
held in New York in 1998, and won the only Grand Prize in the
Finals. In the same year, he was selected by the Ministry of
Culture of China as one of the most outstanding musicians in
China.
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